【凝霜望遠】李義弘和李茂成的松樹與書法

Last Updated on 2022-09-11 by 梁 震明

凝霜望遠—李義弘、李茂成的松樹與書法

Far beyond the Frozen Air – Pine Trees and Calligraphy by Lee Yi-Hong and Lee Mau-Cheng

李義弘的文人畫，上有脈絡，下自成蹊，他自己卻在師承與桃李之間開出一片風景，這片風景特別從李義弘的松樹與書法中可以看出端倪。不是不食人間煙火，正好相反，是人間煙火處生出靈動；不是奇絕孤高，正好相反，是在鄉里處與孤絕處皆能由由然自處。

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Lee Yi-Hong has made his name and has his position in the tradition of Literati painting. The techniques of his painting are matured, the compositions are neatly in order, however, there is always a touch of poetic aura floating in his artworks, which can be most obviously distinguished in his painting of pine trees and in his calligraphy as well.

It would be inadequate to describe this poetic aura as “un-secular ”, quite the reverse, the spiritual liveliness and lightness are growing from the secular land.

李茂成韓國參展歸來，對松樹參天壯大的生命力特別有感，而在下筆成畫時，發現松樹難與其他樹木並存於方寸畫紙之中，有趣的是，這「難以並存」並不是因為驕傲排他，而是自成一格，自己與自己攸然自處，對影成三四五人，三四五松…孤而不獨，正是李茂成畫作書法的特質。

When Lee Mau-Cheng came back from a joint exhibition in Korean, he recognized that pine trees could only be properly represented by their own. It seemed to him, that the pine trees could not be coexisting with other trees in his paintings. However, this unable-to-coexist doesn’t come from arrogance or the sense of exclusion. Lee argues, pine trees are happy to be with themselves by nature: they are never being alone, they are accompanied by themselves.

展覽時間：2020.01.14～02.29（01.24～02.02春節公休）

展覽地點：赤粒藝術 台北市大安區大安路一段116巷15號

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